When not making woodcuts of women with mightily muscled arms like Arnie and voluptuous thighs, attracting louche men with tiny hands lounging around dirty dives, Thom Ogonga remains immersed in the regional arts scene.
He is an arts writer and the founder and joint editor of the magazine Nairobi Contemporary (NC) that bills itself as containing, “intellectual discourse from artist perspectives,” which I commend to you as a stimulating forum, even if it did publish a nonsensical article that had the audacity to criticise one of my reviews. And Ogonga is also becoming an enthusiastic curator.
